Nir ta ta dhanga: Chandan ka Palna (1967), MD: R. “Mehfil mein shama chamki” and the next one, Mehmood’s playback is by Manna Dey.ĩ. In “Maama o maama” and “Yeh do diwane dil ke”, Mohd. Maama o maama: Parvarish (1958), MD: Dattaram Wadkar, Lyrics: Hasrat Jaipuri. And there were a lot of songs, but I confined to four. Rafi both have given playback to Mehmood. It’s but obvious that the post will contain songs picturised on Mehmood. Yeh do diwane dil ke: Johar Mehmood in Goa (1965), MD: Kalyanji Anandji, Lyrics: Qamar Jalalabadi. It laments that money may not be God, but lot of it’s qualities resemble Him.ħ. This one similar to the qawwali in last post (“Allah meri jholi mein”) praises money. O paise tu bhagwan nahin: Main Shadi Karne Chala (1963), MD: Chitragupta, Lyrics: Majrooh Sultanpuri. And I had no idea Jan Nisar Akhtar wrote such funny numbers too.Ħ. It praises that singing and dancing are arts and one should appreciate them. The advisors however look drunk themselves.ĥ. Nayyar, Lyrics: Hasrat Jaipuri.Ī fun number, on vices of daaru telling the hero to give up drinking and the hero claiming he is not drunk at all. Munh se mat laga: Johnny Walker (1957), MD: O. The song is picturised on Mehmood & Asit Sen.Ĥ. Their voices are in such harmony and synchronisation. The song is beautiful, but what is special is that almost all of the song is sung by Mohd. Mehfil mein shama chamki: Gunahon Ka Devta (1967), MD: Shankar Jaikishan, Lyrics: Hasrat Jaipuri.
It’s so mesmerising that we forget ourselves.Īnd a question- is by any chance the person playing Swami Haridas, the music director- S. The pauses, the lifting of sur, everything is so amazing, so marvellous. Especially, when they sing a line together their voices sound like one and yet different. “Sudh bisar gayi”– these words apply when we listen to these two legends as well. And I guess the second song immediately follows after Swami Haridas has accepted the apologies of his disciple. Manna Dey only sings the sargam towards the end. So, in the first song Taansen is probably trying to plead forgiveness from his guru Swami Haridas. Though I have not seen the movie, I am assuming the situation based on the stories of Taansen & Swami Haridas usually heard. Tripathi, Lyrics: ShailendraĪs these are the songs that lead to the idea, they had to be listed. Ab a ayi barkha bahar sajni & Sudh bisar gayi: Sangeet Samrat Tansen (1962), MD: S. Can somebody enlighten me on whose voice it is towards the end, which sings the pure classical piece? It’s for half of the song/ dance and begins around 4.35 minutes.Ģ. Watch one of the dancers levitating at about 8.08 minutes into the song, giving a literal meaning about how art can uplift you.Īnd a question regarding the song. Tu hai mera prem devta: Kalpana (1960), MD: O. Like last post there are songs which I knew, and some others which I came to know while researching for this post. Barring a couple or songs, there are no other voices in them. In this part we will take songs which are their pure duets. Rafi & Manna Dey which had accompaniment of other lead singer(s) and/ or chorus.
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